Get ready to witness a unique blend of tradition and drama as Jitendra Kumar and Pooja Bhatt join forces in an upcoming Indian film centered around the age-old practice of pigeon-flying. But here’s where it gets intriguing: this isn’t just another Bollywood flick—it’s a deep dive into a cultural tradition that’s both fascinating and, for some, controversial. Why? Because while pigeon-flying is celebrated in certain communities, it’s also a practice that sparks debates about animal welfare and urban space. Should traditions evolve with modern sensibilities, or should they remain untouched? Let’s explore.
Jitendra Kumar, the beloved face of streaming hits like Panchayat (Prime Video) and Kota Factory (Netflix), steps into the role of a dedicated pigeon-keeper. This marks a reunion with co-producer Hitesh Kewalya, with whom Kumar previously collaborated on the critically acclaimed Shubh Mangal Zyada Saavdhan. Known for his versatility, Kumar’s filmography spans from the magical Jaadugar (Netflix) to the gripping Bhagwat: Chapter One – Raakshas (ZEE5). In this new project, he brings his signature charm to a socially rooted narrative that promises to captivate audiences.
Pooja Bhatt, a National Film Award winner, takes on the role of Kumar’s on-screen mother, marking her return to dramatic roles after stellar performances in films like Zakhm, Tamanna, and Daddy. Her presence adds a layer of emotional depth to the story, which unfolds against the backdrop of India’s traditional pigeon-flying culture. And this is the part most people miss: pigeon-flying isn’t just a hobby—it’s a centuries-old tradition involving training homing pigeons and releasing them from rooftops, a practice still alive in some Indian neighborhoods and global pigeon-racing communities.
The untitled film is produced by Khyati Madaan’s Not Out Entertainment, with Kewalya co-producing. Kewalya, the brain behind Shubh Mangal Saavdhan and its sequel, brings his storytelling prowess to the table. Making his feature directorial debut is Bilal Hasan, who previously wowed audiences with his award-winning short film Chupchaap, earning a Filmfare nomination. Hasan’s script promises to weave tradition, drama, and contemporary relevance into a compelling narrative.
Principal photography is set to begin next year, but the buzz has already started. Not Out Entertainment is also developing a slate of culturally specific projects, including Abhootpurva, a romantic-horror-comedy set in 1990s Agra starring Ritwik Bhowmik, and an untitled horror film featuring Ahan Shetty, inspired by a real national tragedy. Is this the beginning of a new wave of culturally rich storytelling in Indian cinema?
As we await this pigeon-flying saga, one question lingers: Will the film celebrate tradition unapologetically, or will it dare to question its place in today’s world? Share your thoughts in the comments—this is one conversation you won’t want to miss!